October 31, 2002

laurielikesbooks Blog for October 2002


laurielikesbooks.blog-city.com — October 2002

laurielikesbooks.blog-city.com — October 2002


A Whine

I'm going to apologize up front for the whininess of this blogging. I've been bummed out for a day now, which I know is ridiculous, but I am regardless. Here's why: yesterday I discovered purely by chance that a link to AAR had been removed from the web site of an author whom I've known online for the better part of a decade. While she still visits AAR almost daily, she writes that removing the link was a sort of silent protest on her part for our posting of our very controversial Lost in Your Arms review.

She and I had exchanged a few emails at the time of our posting of the review earlier this year, and I assumed we were going to agree to disagree, but that our fundamental relationship would stay the same. She even participated in an ATBF segment at some point after the review went online; had I known how disappointed she was in AAR I would never have asked for her help.

When I discovered the link had gone missing, it didn't take a genius to figure out why, and since I'm a blunt person, I came out and asked her directly. She answered me equally directly and we exchanged several emails throughout yesterday afternoon and evening trying to work through the problem. I don't know that we have... or that we will. I do know I feel quite badly about the whole thing and wish I'd known the extent of her disappointment with AAR from her personally so that we could have worked through this - or at least tried to work through this - sooner.

One of my strengths is also a weakness. I try to be a moral person and do the right thing without judging other people. I come through on the first part of that equation more often than I do the latter. Taking the high moral ground sometimes leads me into being self-righteous. When I watched the PBS's Frontier House earlier this year, I watched in horror as Karen Glenn became increasingly self-righteous and petty as the project progressed. I hope that in those instances when I take the high moral ground and start to feel too good about it, I'm not being as righteously indignant as she was.

Having lived now through 41 years, I realize that life is not black and white. Instead life is filled in by shades of gray that often leave things in a hopeless muddle. I'm not necessarily happy about that, but I accept it. When members of my personal circle of family and friends do things that go against my personal code of ethics, I try very hard to leave disappointment out of the equation, to accept that I cannot force my morality onto them. If I'm asked to help solve a problem that was created by a bad decision someone made, I try not to fall into the "I told you so" trap, but instead attack the problem and try to help them resolve it, which of course leads to another of my strengths and weaknesses - I never give up. While this means I often solve problems others would have given up on, I can also be like a dog with a bone - not a pretty picture. Not every problem can be "solved."

But because I tend to set the bar very high (just ask my daughter), it's unusual for me to feel as though I disappointed somebody else in terms of something I did... at least somebody I care about. It's not a good feeling, nor is it a good mental place to be. I hope I can find my way out of it quickly.

TTFN, Laurie Likes Books


It's Tough to be a Grown-Up

I had this wonderful blogging all written out in my mind as of Saturday morning. That's when things went wrong. On Friday morning my husband, daughter, and I flew from Dallas into LAX for my nephew's bar mitzvah. Technically he's my first cousin once
I had this wonderful blogging all written out in my mind as of Saturday morning. That's when things went wrong.

On Friday morning my husband, daughter, and I flew from Dallas into LAX for my nephew's bar mitzvah. Technically he's my first cousin once removed (and my daughter's second cousin), but his father was more like a much older brother to me throughout my entire life, and his wife like a very cool older sister. Their son is in many ways much like my daughter, so even though there's three years between them in age, they get along extremely well.

There was never any doubt in my mind that we'd take this brief trip to celebrate his important day - one of the things he and my daughter share is a love for ritual and tradition. He'd taken an active part in planning his bar mitzvah for many, many years, and his parents worked hard to give him exactly the day he wanted. We understood that, which is why, as I wrote this blogging in my head Saturday morning, it even had a title - The Watch.

What do you give a boy who, according to Jewish tradition, is becoming a man, a boy who is so smart it's scary, a boy who marches to a different drummer, a boy for whom people, places, and events have more meaning than they do for the average person? What do you give a boy who "gets," really gets the whole bar mitzvah thing? The traditional government bond wouldn't do, nor would a nice pen suffice.

As in all things about good men, I looked to my husband, and immediately thought of one of his favorite watches, one he'd had for years and years. My nephew looks up to my husband - and I don't blame him. One reason my husband is so special is that he "gets" it too. This watch of his, one of many, actually, for he collects not only watches but fountain pens (and uses them daily, and not pretensiously), was given to him by his parents. Expensive? Yes. Flashy? No. But it's a "man's" watch, a traditional watch, a watch that reminds you of your father - you know, the man with that special scent, the man who carried a hankie in his pocket and lent it to his wife or daughter when she needed it.

My husband may not carry a hankie, but he is one of those wonderful men who make the best husbands and fathers. It's true he's smart, sexy, and good-looking, but he's also a great husband and father because my daughter and I can look to him to care for us, to keep us safe when we cannot do so for ourselves. Just as my husband knows I would do anything to defend him, care for him, and love him, I know he will do the same for me, and the same for our daughter. When he signed on, it was for life. Some women might find that boring... I find it romantic.

As sad as it sounds, the idea of a lifelong commitment between a man and woman sounds has a quaint, old-fashioned ring to it that I resent. Not long ago I had a conversation with my daughter about a news report we were listening to on the radio about the children of divorce. I remember telling her how sad it was that some of her friends' parents were divorced when she said it was "no big deal." Well, I happen to disagree with that. Divorce may be common, which is what I think she meant, but that doesn't mean it's not a big deal.

Lots of people look at marriage the way they do jobs or career paths; it's just a step along the way of the rest of their lives. They don't see it as a life-long commitment. Just as there are starter houses, now there apparently are starter marriages. One reason I read romance novels is because they feature marriage for life. I don't read a romance novel for a short-term HEA. I read a romance because the relationship is going to last forever. I've been with my husband now for well over half my life. I'd never say we've got it made and that we won't need to work on things in the future because I know we will; we have in the past. But we have common goals as far as our commitments to each other and our family are concerned, and are helpmeets for life for each other. (And it certainly doesn't hurt that we genuinely enjoy one another's company, make each other laugh, and have a terrific sex life.)

My husband's watch is a symbol of all of that for me; it is beautiful in its understatement, in its dependibility, in its tradition. When his parents gave it to him, they knew he would cherish it forever, just as I know that my nephew understands a bar mitzvah is not simply a ceremony to endure in order to get to the party and the presents. I've known both kinds of kids and discerning this difference isn't all that difficult. When my nephew opened his gift box at dinner after Friday night services, he said, "Wow...a real watch!" Had I given that same watch to two other young men I know, they'd have been disappointed in the watch's lack of gizmos and wondered why it didn't also translate English into French or tell the time in seven different zones.

My nephew's bar mitzvah was at the most lovely temple I've ever seen. It looks more like the old churches you find in Greece than a temple a mere few minutes from Beverly Hills. Friday night's services were held in a tiny chapel on the second floor, not far from the temple's collection of silver spice boxes (if you've ever seen antique, ornate salt cellars in a European museum, you'll have an idea what these looked like). The chapel couldn't have held more than 50 people, and my nephew sang his prayers in a beautiful, unchanged voice. After the service had concluded, we went to dinner, he opened his gift, and we all had a wonderful dinner, with terrific food, wine, and the enjoyment of each others' company. That's where The Watch was to have ended - nice "life event" story, warmed cockels, etc.

Unfortunately, The Watch didn't end here; instead, my little homily should be renamed It's Tough to be a Grown-Up. Our intimate family evening became "Guess Who Wasn't Invited to Dinner," our attendance at the bar mitzvah was treated as the second coming, hurtful things were said in public by people with hurt feelings, phones were slammed down in anger, and a family feud was born.

The toughest thing about watching a family feud ignite is that those watching the flames can see both sides quite clearly but cannot articulate them during the inevitable "take sides" discussions that occur in the aftermath. One of my mottos is "It's tough to be a grown-up," and it really is. My philosophy at all family events is to expect nothing; if something turns out well, it's a bonus to be enjoyed. I expect to suck it up, bite my tongue, go with the flow, and stay under the radar. I think that's part of being a grown-up and while it may sound rather cold-blooded, the disassociative path allows me to keep my sense of humor when I want to scream instead.

I'm a firm believer that a sense of humor is the best defense to being with family. As far as I'm concerned, the family survival guide is a tautology of sorts; you've got to be a grown-up when with family, but one of God's little ironies is that being with family makes us act like children.

It's a good thing my husband understands this as well, for at one point during the weekend I became a child myself and he had to rescue me in a very big way. He now gets what he wants for 20 years... or the next time we go to a "life event" for his side of the family, another family feud erupts in the midst of five or six formal meals, picture sittings, or ceremonies, I'm asked to take sides, and am forced to "suck it up" above and beyond the call of duty.

TTFN, Laurie Likes Books


Yarbro, Gaiman, & Krahn

I read three books while out of town this past weekend. The first was the recent reissue of Chelsea Quinn Yarbro's Hotel Transylvania. Originally released in 1978, the book was the first in a series about the vampire, known in this book as Count Rago
I read three books while out of town this past weekend. The first was the recent reissue of Chelsea Quinn Yarbro's Hotel Transylvania. Originally released in 1978, the book was the first in a series about the vampire, known in this book as Count Ragoczy Saint-Germain. The series jumps back and forth through various periods in history with Saint-Germain taking different names in each book.

The page at Yabro's website devoted to her Saint-Germain series lists the following titles:

  • Hotel Transylvania - 1743 France
  • The Palace - Renaissance Italy
  • Blood Games - Reign of Nero
  • Path of the Eclipse - China, Tibet, and India in late 1100's/early 1200's
  • Tempting Fate - Russia and Germany between WWI and WWII
  • The Saint-Germain Chronicles - Short stories during much of 1900's
  • Darker Jewels - Poland/Russia during reign of Ivan the Terrible
  • Better in the Dark - Medieval Germany
  • Mansions of Darkness - Pre-Columbian South and Central America
  • Writ in Blood - A prequel to Tempting Fate
  • Blood Roses - Medieval France during the Black Plague
  • Communion Blood - 13th century Rome
  • Come Twilight - Spain in the Dark Ages
  • A Feast in Exile - 14th century India
  • Night Blooming - Dark Ages France

There are four related titles as well, and one is about the female protagonist of Hotel Transylvania. Its name is Out of the House of Life. Why I'm providing all this information I don't really know because I didn't much care for Hotel Transylvania and can't imagine reading the remainder of the series. Touted for fans of Anne Rice, Laurell K. Hamilton, and with a blurb by Charlaine Harris, I expected quite a different book than the one I read. Set in Paris in 1743, the book is less a vampire book than a book about a group of Satanists trying to gain power in France. Though this is a sub-plot, it intertwines with the main plot surrounding the debut of a brilliant and beautiful young noblewoman and her involvement with the heroic Saint-Germain. Alchemy and the making of diamonds provide additional sub-plots that could have provided more interest than they did. There's little of Saint-Germain's vampire essence to draw the reader in until close to the end of the book, and as a vampire, I found him wanting. Here's a vampire who doesn't need to avoid sunlight, and other than a little foreplay, he doesn't suck the blood out of anybody. As revolting as the Satanists were, they were the most interesting part of the story, although if I read another book featuring evil homosexuals, I'll dent my walls. I doubt I'll be reading further books in this series.

Based on my daughter's recommendation, I also read Neil Gaiman's Coraline. This is a book that has gotten raves everywhere; my daughter gave it a grade of B+, so I went into it with pretty high expectations even though I find Gaiman an uneven author (witness my earlier blogging about American Gods).

I quite enjoyed Neverwhere, Good Omens, and the short story Snow, Glass, Apples, and thought his first children's book, The Day I Swapped My Dad for Two Goldfish, was pretty fun. But I couldn't get into some of his other short stories, and thought Coraline wasn't so much scary as it was grodie.

Coraline is a young girl who has moved with her parents into part of an old house. Her neighbors are quite eccentric, and one day she wanders into a sort of parallel world that at first seems like a lot of fun. Things are not as they seem, however, and soon she is trying to free the souls of lost children and her parents so they can all escape the clutches of an evil black button-eyed creature. I think it was the ending that bothered me most - if you've ever seen a scary movie and discover that, after the "bad stuff" is supposed to be over and instead there are a final few ultra-creepy moments, you'll know what I mean.

Although my daughter's already read the book twice, I couldn't wait to finish the book for my one and only reading.

I read a third book while away this past weekend, one that I had bought without realizing it was a reissue under a different name. But since I'd been wanting to try a book by Betina Krahn, I didn't much mind. And even though it was written in the sort of "old style" romance I generally don't enjoy, I read this book in close to one sitting, breaking only to wipe my eyes.

I hate to leave you all hanging, but I'm going to save discussion about this book for the October 15th At the Back Fence column.

TTFN, Laurie Likes Books


Behind the Scenes

I've got a some site-related things on my mind that are most definitely "behind the scenes" items to get off my chest. The first is that many of our recent reviews appear to be quite controversial in that the readers posting about them on our Reviews Message Board seem to disagree w/our assessments. This seems to be something I'm noticing more and more. I can't say whether it's really happening more, or that we've just got more squeaky wheels given the site's growing popularity. It's something to keep an eye on. We've got two new reviewers joining us soon as three go on hiatus. We'll see what happens.

We posted a wonderful DIK Review last week for an author who seemed quite geniunely pleased with the review, only the one minor criticism our reviewer had is what she's publically posting about. I'm not really sure why I find this irritating, but I do. A more glowing review you'll rarely read at AAR. Oh well.

One of our long-term advertisers has suffered some setbacks and may be ending her campaign with us. This is most definitely a bad thing, but I'm going to try and work it out with her so that this valuable exposure for her can continue and this valuable revenue stream for us can go on as well. Since Amazon commissions are so much lower than they were last year at this time and we had the outlay for AAR Bookbags, and fewer people seem to be donating via our Freeware Program, this is the last thing we need. I hope she'll change her mind.

Mrs. Giggles and I exchanged emails over the weekend about how Yahoo has switched its search engine and is now using the Google technology. We were higher up on Yahoo's results for the "romance novel" keyword than we've been at Google, so I hope some slight changes to our home page and a request to sites that link to us asking that they include the term "romance novel" in our site description will help.

We've been having our best months ever; September 2002 saw a 42% increase in unique visitors over September 2001, but apparently the changes didn't take effect until October. I'd hate to see our momentum slowed down because of this; I'm going to assume that because we have so many pages online that we'll maintain a good level at Google.

Finally, I got a disconcerting tip today regarding a large discount retailer who might not be stocking a book we gave DIK status to because of the book's content. I don't want to go into more detail until I get a response from the retailer and possibly their distributor; I started that process today and will report back when I know something definitive. We've heard reports in the past about books not being shelved at this chain because of their covers, but content is entirely another kettle of fish.

TTFN, Laurie Likes Books


What's the Big Deal?

My life since Monday has been mostly one major frustration after another, although a couple of good things did happen in the midst of the frustrating. Good things first - the author who had delinked to AAR (see my earlier blogging) has changed her mind and will be relinking. I'm glad that fence has been mended; it took effort on both our parts but I think it was worth it. The other good thing is that an author who really considers me the devil incarnate (and AAR presumably the devil's tool) wrote me a very nice email this morning regarding my coverage of what I'll call "the WalMart incident." Now for the bad - "the WalMart incident" has become so frustrating for me that I'm alternating between wanting to rip my hair out and wishing I'd never gotten involved in the story.

Let me explain. At the end of my last blogging, I mentioned that I was working on a story about a large discount retailer refusing to stock a book because they were concerned about its hijacking content. Since then, I've written a story about it and roughly 90% of the reader response on our message boards has been quite hostile to my concern about the issue.

Reading through all the posts on the Reviews MB, reading posts on several discussion lists about it, and hearing AAR's staff talk about it certainly helped me better understand the point I was trying to make, but it appears that, for the most part, nobody really cares. My husband, whom I can usually count on to help me work through a brain teaser like this, told me he understands I am upset, but doesn't understand why. He's a kind of litmus test for me, so I've accepted at this point that I'm never going to convince people that the slippery slope for this is a dangerous one for readers of romance novels.

It's frustrating because I've been saying since 1996 that the reduction in distributors and publishers for books can only lead to mediocrity as far as reading choices are concerned. Which is why I'm so very bothered by the fact that WalMart/Anderson Merchandising is not shelving Susan Grant's Contact because it contains a hijacking theme.

Part of the problem in trying to frame the issue is that I was initially quite limited in what I could report without revealing a source and/or stating something difficult to prove. Because of that, even though it's now been fairly conclusively presented that yes, the book is not being sold because of content - which I find a scary prospect and a form, yes, of censorship - many people will not believe that's the true reason. And they look at the official response from the retailer and accept it at face value, even though the very fact that the statement was written so ambiguously lends credence to the original charge - that they and/or their distributor refused to stock the book because they feared some sort of backlash from readers. After all, I asked a couple of point-blank questions and neither was answered. If the book truly was not stocked because of its content, why just not say so?

The fact that there are fewer distributors and publishers out there means that those with big pockets grow to have more and more clout. In essence, this incident scares me because I think it's quite possible books in the future may not be published because publishers fear distributors/giant retailers won't sell the books not because of their quality, but because of their content. It's not as though the book advocated something violent, was salacious, or obscene. One has to wonder why the retailer/distributor thought a book written by a pilot of 747's with a military background that included an alien hijacking would so upset women that they would either ask that the book be banned from the stores or would, what, boycott the stores? "Why, I do declare...why bother my pretty little air head with something that might remind me of September 11. I'm just a poor, defenseless woman who needs somebody to protect me from a book I might otherwise read."

I've been bombarded with questions about just why this incident got my dander up when the retailer regularly excludes other books for sexual content or sexual covers and won't sell certain CD's. Well, it's because I can understand not wanting to sell sexually provocative books (even though I don't agree with it). To me that's quite different from not selling a this book.

The Cassandra in me is frustrated that few of our readers see that this is potentially a big step down the slippery slope. Do I want this retailer/distributor having an influence on what books I can read down the line? As they continue to grow in size, they will continue to grow in influence. Remember the old line, "What's good for General Motors is good for America?" Well, what if pretty soon it's "What's good for WalMart is good for America?" To me that's a scary prospect. Even though I'm going to follow up on one last lead on this story, it's kept me up for two nights now, and that's two nights too many. I've simply got to let it go.

I do appreciate the private email from various authors and readers, and particularly appreciate AAR's own Sandi Morris because she "gets it." What I don't appreciate is an unnamed reader who thank goodness doesn't darken AAR's door anymore, but still delights in getting in her shots at other venues. She took quite a nasty potshot yesterday and I'm petty enough to admit I enjoyed the comedown she received in response from Susan Grant herself, who confirmed our story as accurate. I'm always amazed at the people who think we're evil, unprofessional bitches but can't stay away regardless.

Well, that's enough for me tonight. I need to prepare for the meeting I have in the morning with a web company that may finish our database project. And, even though we had a screaming fight tonight over homework, I can't forget that my daughter's almost through with the first quarter of her new school year. She got herself elected as class VP, had her idea accepted for the class project (to raise money for the "orphanage" for the vet clinic where we adopted one of our cats), and got A's on her two most recent tests. In balance, I'd say things could definitely be worse.

TTFN, Laurie Likes Books

A Review in my In-Box

I've said in earlier bloggings that reading an enthusiastic review for a new book is one of my great joys in publishing AAR. That said, and call me a total bitch if you will, but reading a well-written D or F review can really brighten my day as well.

A review just landed in my in-box of a highly anticipated book by an author whose writing I don't care for. But since my tastes are often contrary to many on our staff, I had no idea what to expect when I saw that the review was of this particular book. As Blythe assigns all books, I rarely know who's been assigned which books until I see the reviews themselves. That's the way it should be, and it provides me with a sense of being a kid on Christmas morning; reading our reviews is often like opening a present because they can be so well written, informative, and fun.

Let me just say that the reviewer doesn't seem to care for this author any more than I do, and the review was written with such joie de vivre that even if I disagreed with her, I'd still have loved the review. Sandy Coleman's recent review of the upcoming Judith Ivory, for instance, was so wonderfully written that even though I don't read her books, I was as caught up in the review as Ivory's greatest fan would be, and look forward to its release even though I won't be buying it myself. Not only that, I hope it sells like mad!

Oh dear...did I just out myself? I like Judith Ivory tremendously; when I met her many years ago and had the chance to pick her brain about the ins-and-outs of romance publishing, I came away from that meeting thinking she damn creative, smart, fun, funny, honest, trustworthy, and someone I'd definitely want to keep in touch with over the years. I continue to believe all those things are true, but she's one of a few authors whom I admire as writers even though I don't read their books. And I definitely admire her as a writer and look forward to each of her successes as I do other writers I admire - regardless of whether or not their books are for me.

It's hard to go public with other authors whom I respect as writers even though I don't read them - yes, even I worry about hurting feelings. Very early on, in an old Laurie's News & Views, I said Laura Kinsale was an author others loved whom I didn't "get." Count her as another author whom I respect as a person but don't read her books. And then add Jo Beverley to that list. Beverley handles herself better online than just about any other author I know, and I love her knowledge of history - she's a great teacher! - but I don't read her either. And though Gaffney is considered an historical goddess, I gave up on her historicals after one effort even though I enjoy her contemporary women's fiction. Where Gaffney is concerned, however, I'm going to try her again...someday. I'll even be trying Beverley again at some point; I did read a short story she wrote and found it compelling, but which of her single title historicals to try remains a mystery at this point. I won't try Kinsale again; after finishing two of her books, I swore I'd give Flowers From the Storm a try, got stuck about 1/3 through, and decided that was it for me. Again, though, I think she's a terrific online personality because she's willing to be honest, and because so many of our reviewers believe she's a goddess, I think the fault for my not liking her writing (and the same goes for Ivory) is within me.

I don't know whether it was something Leslie McClain, the founder of The Romance Reader, said to me when I mentioned I'd met Judith Ivory that ruined her books for me. We were both in the press room at the 1996 RWA national conference and I'd told Leslie about meeting Judith, and we were talking about Judith's book, which was up for a RITA that year. I mentioned I wanted to read it, and she said, "Well, you need to know she writes very differently." Odd how that one statement put me off reading this author. And to this day I haven't read her, and wonder whether or not the association she has with Gaffney and Kinsale is part of the reason I don't read her, and haven't given Gaffney another historical chance.

I'm sure that when I post the biting review sitting in my in-box now for that keenly anticipated book, we'll get lots of disagreeable posts on our Reviews MB. But hey, it's been what...two days since the last blow-up?

TTFN, Laurie Likes Books


"The Laurie"

Do any of you remember The Jimmy, an episode from the sixth season of Seinfeld? If not, let me refresh your memory with the first sentence of a plot synopsis from this online episode guide for the show: "The guys play a game of basketball with '
Do any of you remember The Jimmy, an episode from the sixth season of Seinfeld? If not, let me refresh your memory with the first sentence of a plot synopsis from this online episode guide for the show: "The guys play a game of basketball with 'the Jimmy,' a man who talks about himself in the third person."

I remembered that this morning after reading about myself in Pat Holt's Holt Uncensored column for today. After having AAR referenced in books and articles and having been interviewed a few times in the past, I never expect to read about myself anywhere; it's rather an out-of-body experience when it occurs.

So it was a shock to read about myself in this column and to hear myself called "the Paul Revere" of the romance novel industry. Who knew? I had absolutely no idea my reporting on the WalMart/Anderson story was being widely read, had no idea Pat Holt even knew who I was, when a friend informed me this morning I was in her column. Even freakier was that she'd obviously poked fairly deeply into the site as one of the quotes she used from me was from a 1996 column.

We're going to arrange for a bit of synergy; she's going to write up something for AAR on topic and I've already written up something for her site on the topic that gets her going - major book store chains versus the indies.

Speaking of the WalMart/Anderson story, I've got to say that when I was growing up, I was a profound liar. Even if caught with my hand in the proverbial cookie jar, I'd deny I was taking a cookie. I still occasionally think up convoluted ways to weasle out of things, deny things, or simply omit them, but the fact is that I can no longer lie. Somewhere along the way to growing up I became constitutionally unable to lie. I consider myself a "reformed liar." Which is why it always shocks me to have someone lie to me - how do they do it when I can't? It's pretty clear from hearing from both sides in this story that the truth isn't somewhere in-between both sides. I've been presented with two distinct sets of facts, and have come to the conclusion that one set of facts is a fabrication. Apparently one of the people I talked to in investigating this story simply decided that lying was the way to go and did so seemingly without compunction.

My frustration in reporting this story is that I have a pretty clear idea who the liar is, but can't come straight out and report it as fact. And so the best I can do is provide both sides of the story and hope readers pick up what I picked up, all without slanting my reporting in the process. It's truly at times like this that I wished I had more of a background in reporting. I have some, but is it enough? I read accusations on the 'Net that present information without providing the detail to back them up. I endeavor never to do that at AAR because that's not how I was taught to report a story. Whether I'm successful when doing one of these investigations is something that worries me, but then I start to wonder whether I'm simply taking things and myself too seriously. If these other sites can accuse without providing back-up, maybe I should simply lighten up.

But then I realize...that's just not me. It's that whole "authority issue" thing again; sitting on my shoulder as I'm writing are Mark Seal and Phil Seib, the two journalists whose classes I took in college. I know they'd give me a bad grade if I didn't write my stories the right way. I know that's pathetic, but it's true.

TTFN, Laurie Likes Books


Anthony Bourdain: Gonzo bon vivant pirate chef

Last night was mostly a good night. The only thing not good about it was having to drive home one of the two 10-year-old girls (who were going to spend the night after attending a school party) at midnight when, instead of going to sleep, she had a m
Last night was mostly a good night. The only thing not good about it was having to drive home one of the two 10-year-old girls (who were going to spend the night after attending a school party) at midnight when, instead of going to sleep, she had a melt-down. If I'd had five more minutes, she'd have been asleep, and all would have been well. Oh well.

By the time I got home from driving her home (my husband, the coward, had fallen asleep at 11:30 and missed all the coughing, wheezing, crying, etc.), I was too wired to sleep and decided to start reading Anthony Bourdain's Kitchen Confidential. I've been intrigued by this book since it was first released a couple of years ago, and while the girls were at the "dance" (not that 10-year-olds actually dance with boys), we went out to dinner and hit the bookstore and record store. We bought a fabulous gospel CD by The Mighty Clouds of Joy called I Want to Thank You. We also took a look at Bourdain's A Cook's Tour, the companion book to what may in fact be my husband's favorite television show. As he wasn't interested in buying that book in hardcover, I convinced him to get the paperback of Kitchen Confidential instead.

Bourdain, if you've not seen, heard, or read him, is rather a gonzo bon vivant pirate of a man. He speaks extremely well, and when I "heard" his voice in my head as I was reading last night/this morning, I realized I was in for a good time. I enjoy cooking shows even though I can't cook. I also like the more cheesy shows on Food Network that take you into a food factory; they remind me of Mister Rogers' visits to see how graham crackers, crayons, or construction paper were made, always my favorite part of his show, which I never appreciated until my daughter was born. (There's a terrific Salon.com article about Rogers for anyone interested, and his wonderful children's book, Making Friends, was one I read to my daughter time and time again.)

But back to Bourdain - here's a guy whom some author should model a romance novel hero about. One senses that for him, cooking is both a sensual and swaggering experience. This is a "rock 'n' roll" chef who clearly saw and did a lot of nasty things over the years, and yet cooking is such a nurturing activity that it's hard to categorize him. His show, A Cook's Tour, follows him, documentary style, as he eats and drinks through a variety of cultures. But don't mistake his show for a PBS travelogue aka Rick Steves; travelling, eating, and drinking to Bourdain is a macho test. What's the most dangerous place for him to visit, what's the weirdest thing he'll eat, and what's the oddest thing he'll like? Even though he's often over the top, the episode where he and his brother visit his father's village in France and he reminisces about eating his first raw oyster, while not exactly Proustian, is touching nonetheless.

If you find Bourdain not to your liking, you might prefer Peter Mayle's Provençe books, the best of which I think are A Year in Provençe and Toujours Provençe. Or you might like to read about Tuscany in Frances Mayes' Bella Tuscany/Under the Tuscan Sun. These books are particularly fun because they provide a "slice of life" look at what it's like to move to as a foreigner to Provençe or Tuscany, try to fix up an historical estate, and deal with the colorful locals, of which there appear to be an unending supply. There's a loving but wry sense of humor here, not as out-and-out hilarious as, say, Calvin Trillin's writings about the whacky people he's known and loved, but in the same vein. These books give me the opportunity to have a fly-on-the-wall experience of people who have managed to do what I cannot, which is the ability to relax and enjoy the world passing by.

TTFN, Laurie Likes Books

Comments


'A visitor' left this comment on 2 Jan 07
Anthony Bordain is perhaps the most sensitive bastard and the brightest person you will ever meet. His sense of the people and the food are truly outstanding.
'A visitor' left this comment on 24 Feb 06
I have been a cook all my life. I've recently tried to up that to chef and all I can tell you is in more ways the one Anthony Bourdain is my hero. Ohh He also sheds a very accurate light on the culinary world.

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September 30, 2002

laurielikesbooks Blog for September 2002


laurielikesbooks.blog-city.com — September 2002

laurielikesbooks.blog-city.com — September 2002


A Bit of Reflection

I think there's a fair amount of conceit in keeping a blog, but doing it reminds me of the start of Laurie's News & Views, the original name for the At the Back Fence column. Back at the beginning, I was surprised that anyone would want to read m
I think there's a fair amount of conceit in keeping a blog, but doing it reminds me of the start of Laurie's News & Views, the original name for the At the Back Fence column. Back at the beginning, I was surprised that anyone would want to read my rantings and ravings, and loved responses to all the individual email links that went into those columns (this was long before our message boards or questions at the end of the column, btw). It was also a time when I'd get lots of email from authors who were willing to "speak" publically as part of the columns' audience.

Mrs. Giggles and I keep in touch fairly often; I thoroughly enjoy her "Soapbox" essays. There's a lot of funny stuff in them, stuff that sometimes I wish I could write myself but know I could never write now for AAR. Periodically I'll go back and read my early columns and notice how much my writing's changed between then and now. The columns used to be more biting and tongue-in-cheek than they are now. While I don't feel as though I've compromised content over the years, my role has changed. I'm hoping that keeping this blog will help me loosen up and get back more of that old bite.

It's tough, though, since blogging is so one-sided; I'm so used to the feedback we get at AAR via our message boards that I miss hearing from people who are reading my bloggings. And the fact that my musings here are so personal doesn't help; laying open my thoughts and fears here is as scary to me as the early days of LN&V when I didn't think there'd be enough readers to warrant the time and effort expended in writing the column.

There's also the whole "publisher" thing with which to contend; instead of simply representing myself, I know I represent an entity. I have a different function when I write things that are "official" at AAR than I used to when I was simply a columnist/reviewer at someone else's site. I still hear from authors, although not in the same way as I used to, because my role is less that of an individual to another individual. Instead it's more of an official role. Yes, I still hear some great gossip and learn things I can't share with anyone, but I know that sometimes information is passed along to me with an agenda attached.

That's not always the case, though, and there are people - authors and readers alike - who know I can be trusted, journalistically speaking, not to reveal sources and what can and cannot be shared with a wider audience. That's a good feeling. The biggest perk in my job has been the ability to talk to authors about their work. A perk I never expected is a psychological one - the confidence-building boost I get when authors I respect tell me I have to written something interesting, clever, funny, enlightening, and/or important. Opening an author's email about an article is like getting a present on a day that isn't my birthday. And, if after I put their comments through my "bullsh_t" meter and determine there's no agenda attached, I get a goofy grin on my face and a warm fuzzy feeling that last for hours...or until we piss someone off again.

TTFN, Laurie Likes Books


Comments


'A visitor' left this comment on 15 Oct 03
isn't a relief to spill out ur feelings?

pearl necklace [blah@blah.com]


Nora Roberts

Last week I talked about that moment in an author's backlist when she hits her stride; I think I'm narrowing things down for Nora Roberts, at least in my mind. I've read 30 of Roberts' books; the table below puts them together by series and date of p
Last week I talked about that moment in an author's backlist when she hits her stride; I think I'm narrowing things down for Nora Roberts, at least in my mind. I've read 30 of Roberts' books; the table below puts them together by series and date of publication.

Irish Thoroughbred1981C-Irish #1
Reflections1983C+Bannion #1
Second Nature1985B-Celebrity Magazine #1
One Summer1986B-Celebrity Magazine #2
Playing the Odds1985B+MacGregor #1
Tempting Fate1985B-MacGregor #2
All the Possibilities1985B-MacGregor #3
One Man's Art1985B+MacGregor #4
The MacGregor Brides1997BMacGregor #6
The MacGregor Grooms1998BMacGregor #8
Affaire Royale1986B-Cordinia #1
Command Performance1986B-Cordinia #2
The Playboy Prince1987C+Cordinia #3
The Last Honest Woman1988CO'Hurley #1
Gabriel's Angel1989B-
Captivated1992BDonovan #1
Entranced1992CDonovan #2
Charmed1992BDonovan #3
Enchanted1999BDonovan #4
Born in Fire1994A-Born in #1
Born in Ice1994B+Born in #2
Born in Shame1995C+Born in #3
The Return of Rafe McKade1995BMcKade #1
The Pride of Jared McKade1995B+McKade #2
Montana Sky1996B-
Sea Swept1998A-Chesapeake Bay #1
Rising Tides1998B+Chesapeake Bay #2
Inner Harbor1999B+Chesapeake Bay #3
Jewels of the Sun1999A-Gallagher #1
Chesapeake Blue (Nov release)2002AChesapeake Bay #4

A whopping 70% of the Nora Roberts books I've read earned B level grades from me. 17% earned C level grades and 13% - 4 of the 30 books - earned DIK status. My approval rating on her writing is phenomenal, particularly as I don't consider Roberts my favorite romance author. There are other authors whom I've granted more DIK's to, but in the case of Julie Garwood, there aren't even 30 books of hers to read, let alone grade. And Catherine Coulter, who has written five DIK's, has also earned many D's and F's from me.

On the other hand, there are some of Roberts' books I haven't read beyond the first few pages because I knew I wouldn't like them, which tends to skew the results. A few that come to mind are Irish Rose, The Heart of Devin McKade (sacrilegious, I know), and Dance of Dreams, which I started last night but know I won't finish. It's the sequel to 1983's Reflections, and the older man/younger woman, teacher/student, ballet company director/prima ballerina premise was just too creepy for me. When the two of them sat down to eat yogurt and bottled water, all I could think of was every ballet article I've ever read about the physical pain, the anorexia, the lack of living beyond the ballet. That was it for me; I closed the book and put it away, most likely forever.

Dance of Dreams ends the Nora reading glom I've been on for six weeks. It started with an advance reading copy of Chesapeake Blue, continued through the first three Cordinia books, then the Celebrity Magazine duo, Reflections, and the aborted Dance of Dreams. Oddly enough, I hadn't been able to read a Roberts romance through in more than two years. I remember having a discussion with Blythe and Claudia, who granted DIK status to the second and third books in the Gallagher trilogy and saying that if we'd switched the order of reviewing that series (had I read the second or third and one of them read the first), none of the books would have gotten DIK status. Although I loved the first book in that series, I picked up the second book and put it down about a third of the way through. I never even tried the third, even though my sense is that I might like it at some point in the future.

There are other groupings of Roberts books that I never even bought, including her Stars of Mithra and Three Sisters Island trilogies, not to mention all of her J.D. Robb books. I went through a lengthy Roberts "dry spell" between Jewels of the Sun and Chesapeake Blue, which I'd feared wouldn't be good since the rumors I'd heard made it sound as though she hadn't originally planned to write Seth's story and "did it for the fans" - I hadn't even picked up one of her books since last summer. Wow, did I do some quick catching up by reading seven of her books in just six weeks! I doubt I'll let such another lengthy period go by without reading her again.

But back to my original point: when did Roberts hit her stride as far as I'm concerned? I think it was in the mid-1980's, several years after she was first published. Her MacGregor series is key to her growth; I can see the beginning of certain character types that she and she alone seems to do in these books. I've heard many a reader complain that her trilogies or quartets feature Roberts Hero A, Roberts Hero B, and so on (for both heroes and heroines), but for the most part, this doesn't bother me as much as it does with other authors. One thing that surprised me when I went through my database was that I gave One Man's Art a higher grade than many of the other books in her MacGregor series. It was so different from the other books in the series, and not only because neither the hero nor heroine was a MacGregor. It had, if I remember correctly, less humor as well. Perhaps I shouldn't be surprised at the grade after all, though...I seem to have a soft spot for Nora Roberts artists, whether they are glass artists or painters.

After not having been enthralled with a Roberts book in more than two years, I was quite honestly shocked to have loved Chesapeake Blue as much as I did. How could an author who's written 150+ books write a book that's fourth in a series and have it be so wonderful? I simply can't wrap my mind around that. I'll be talking more about the book in particular, but probably at AAR rather than in this blog.

TTFN, Laurie Likes Books

The Good, the Bad (and Kelly)

Yesterday was a mix of good and bad. I'll start with the bad, well... the disappointing. After several B grades, we gave Julia Justiss her first less than positive review. This is not well known, but I become silently invested in authors after we giv
Yesterday was a mix of good and bad. I'll start with the bad, well... the disappointing. After several B grades, we gave Julia Justiss her first less than positive review. This is not well known, but I become silently invested in authors after we give them a positive review the first time around; after two good reviews I become a silent cheerleader. And when another good review comes in, my silent cheers grow even stronger. I've been cheering nearly as strongly for Julia Justiss as I had for Dee Henderson, who'd racked up six B and B+ grades before getting a C+ this spring. Justiss had gotten four B/B+'s for full-length historicals and a B+ for an anthology piece, and then yesterday we posted a C for her.

I realize how difficult it must be to satisfy a variety of different tastes after several books, but being the optimistic sort of person I am, I want to see winning streaks continue forever. I'd like to see both Justiss and Henderson start a new winning streak with their very next release so that we can continue to tout them both as buried treasures.

Okay...that was the bad...now for the good. We posted a DIK Review yesterday for Susan Grant, whose first book - Once a Pirate - I gave a great review to, and whose second book, The Star King, I also enjoyed (and reviewed). Her third book (The Star Prince) was not reviewed by me but received another good grade from Heidi Haglin. Sandy Coleman's review of her October release, Contact, hit my in-box late last week.

When I reached into my reviews folder yesterday and pulled Sandy's review out, I was so excited to see that it was a total rave - a DIK with absolutely no reservations - that I practically performed a little happy dance in my office. Just as I get disappointed when we post a so-so or negative review for an author I enjoy reading, I am thrilled when we post a terrific review for an author whose books I enjoy. And when the author is relatively new and I've been "with her" since the start, I'm all the happier because so many times my taste doesn't match our review staff. Where Susan Grant is concerned, I also consider her a role model for strong women given that she's spent most of her career breaking ground for other women in male-dominated fields (I have similar admiration for Merline Lovelace). I can't wait until October and I can get a copy of Contact myself.

And now for something off-topic: last night's finale of American Idol. The first thing I noticed is that the vast majority of songs "the kids" sang in their Brady-esque/Godspell fashion were old. When I mentioned this to my family, my daughter exclaimed, "That's because most new songs suck!" I'm so glad those words came out of her mouth instead of mine; had I said the same thing, she'd have argued with me for half an hour.

One great thing about my daughter is that if she likes you, you're automatically pretty or cute or handsome. She thinks Kelly's gorgeous, and didn't take too kindly to my husband and I disagreeing with her. She has a great voice, but as far as looks go, she's the girl-next-door with a big booty, and that's one reason I think she won.

Let me explain. My husband had been trying to prepare our daughter all week for the possibility that Justin might win because all the girls would vote for him. I strongly disagreed; he's definitely got charisma and charm and great hair, a great smile, and a twinkle in his eye, but I thought those same girls would vote for Kelly instead because she's not gorgeous (or slutty) like Britney, Jessica, Mandy, and Christina. Any girl or young woman could look at Kelly and think: "Wow, she's talented but she doesn't look like a model. She looks like me!"

Still, I wasn't sure Kelly would win and so I had also tried to prepare our daughter for that over the last few days. I told her that several of the finalists - including Tamyra and Ryan - would likely get record contracts and that they might be better off in the long run than the winner of American Idol. And after I having heard the first "single" they'll be releasing for Kelly, the also-rans might truly be better off. It doesn't matter how well you sing, a song has to be a good one for people to want to buy it. The song released by winner of the UK's version of the show was far better than the song Kelly will be releasing. I have no doubt she'll make it as a singer, but her success may actually be delayed as she runs around fulfilling her "American Idol" obligations. As I said in an earlier blogging, most people ask "Sam who?" when asked if they remember Sam Harris, the singing phenom from the first year of Star Search. I'm not sure if the same people who got caught up watching American Idol actually propel record sales. We'll keep up with her career and buy her CD's, of course, because we "know" her.

TTFN, Laurie Likes Books

A's and F's (and Dodd)

Just as yesterday was a mix of good and bad as far as AAR was concerned, so is today. Not more than five minutes ago I posted today's update, which included one very positive and one very negative review. Â I think some will be surprised by the posit
Just as yesterday was a mix of good and bad as far as AAR was concerned, so is today. Not more than five minutes ago I posted today's update, which included one very positive and one very negative review. Â I think some will be surprised by the positive review - in a good way - but don't have a very good feeling about the negative one.

Whenever we post A's or F's, there's more of a chance of reader disagreement than for other grades. Often times I believe we're taken to task more for A's than F's, but either way we leave ourselves open to a barrage of disagreement. We get lots of negative feedback for F's in two situations: when the author is little known but has supportive friends and/or family or when the author is very well known and generally well-respected.

For instance, we've posted many, many F's for Cassie Edwards and Connie Mason - the two AAR "whipping boys" - but these reviews never generate much response other than the sort of "thanks for giving me a laugh w/your review" comments we've seen before. On the other hand, when we pan a book by an author who's written extremely well before - even when we've given her lots of good reviews in the past - postings  which disagree with our review can go on for several days. Sometimes these lengthy threads degenerate into a good, old-fashioned flame war. So I always get stomach cramps when we post an F for a well-respected author, and today's F for the new Susan Wiggs already has my tummy tied up in knots.

On the other hand, I'm very, very pleased that we posted a B+ review for the new Christina Dodd today because I've been a fan of her writing in the past. While we took a lot of heat for our reviews for her last two books, none of that heat came from her. It may have come on her behalf, but I personally thought she was a class act throughout and respect her for that. Even when she joked about "which book she was going to steal from next" when promoting her book with Connie Brockway (Once Upon a Pillow), I personally thought she was making lemonade out of lemons. I know not all AAR staff agreed, but so be it. I still believe those reviews were excellent, but I also liked how she handled herself.

I picked up my copy of the Dodd yesterday and may read it beginning today. I hope it's as good as A Well Pleasured Lady or Rules of Surrender, my two Dodd favorites.

TTFN, Laurie Likes Books

God's Gifts

What follows is likely to be the most intimate blogging I'll ever make. If it makes you uncomfortable to read it, please accept my apologies before-hand, or skip it and check back in a couple of days for my next entry. While the nation's year of mour
What follows is likely to be the most intimate blogging I'll ever make. If it makes you uncomfortable to read it, please accept my apologies before-hand, or skip it and check back in a couple of days for my next entry.

While the nation's year of mourning began on September 11, 2001, our personal year of grief began on Monday, August 27th when I rushed our daughter to the hospital with meningitis and watched her nearly die before my eyes.

"Our gift to God is to make use of God's gifts to us."

Today is Rosh Hashanah, the Jewish New Year, and we've just returned from a wonderful family service. In addition to the main services, there are three distinct services - for families with young children, older children, and teens. I'm not the only one who loves the services for families with older children because it keeps growing year after year not only as younger children grow old enough to attend, but with older children who feel the sense of community so strongly that they don't wish to move on to the teen service. After all, where else can you hear a Pete Seger parable as the sermon and sing along with a guitar-playing rabbi who riffs "Dueling Banjos?"

One of the best parts of the service is the blowing of the shofar, a ram's horn which heralds the New Year and Yom Kippur, the Day of Atonement, which will occur in 10 days. We've listened to the same young man blowing his shofar since he was no more than a boy, really. My favorite moment is the very last note blown on the shofar for it is incredibly long, and this year it was the longest ever. How wonderful that he came home for the weekend to celebrate another new year with us - he's now in college studying to become a rabbi. After he lengthened out that note to be extra, superbly long, I exclaimed its excellence, which his proud parents, sitting in the row ahead of us, overheard. When he returned to his seat, his mom leaned to him and whispered something, at which point he looked back at me and grinned. Then my daughter let me hug and kiss her...in public. Yay!

I'm not a very religious person, certainly less religious than my husband and his family. But there's something very special about this year's services; we have much to be thankful for. The first is that we can attend services at all because last year, with our daughter in the very initial stages of her recovery from meningitis, she and I didn't go - either for Rosh Hashanah or Yom Kippur. We are also thankful that she is finally and completely recovered...it took about 10 1/2 months for her life to return to normal.

But there's even more. She "graduated" from occupational therapy after six years. She still has minor physically-manifested neurological deficits, but she's developed enough coping mechanisms to handle just about anything. Yay! She also said goodbye to the behavioral therapeutic school she'd attended for 2 1/2 years and began fifth grade in a wonderful but very academically tough private middle school. While we weren't sure she was ready, she'd asked us this spring to give her the chance to show what she is capable of, did well on the private school entrance exam (a three hour SAT-like test), was accepted into the school, and started two weeks ago. This past week she was elected as class vice-president. Yay!

While we were in services this afternoon, one line in our prayerbook struck me: "Our gift to God is to make use of God's gifts to us." This is very nearly the same thing I've told my daughter over and over again for the past several years - that she needs to use the gifts God gave her. Whenever she's frustrated about the things she can't do or can't do well (her neurological issues have always been physical as opposed to intellectual), I remind her of all the great gifts she does have. This was particularly difficult over the past year; not only did her illness rob her of the ability to move easily, it also affected her cognitive abilities for many months. Thankfully, that too has passed, and not only do we have our wonderfully brilliant and creative girl back, we have a girl who has finally decided to be a "human being." Her determination to leave  her old school, along with the skills she (finally) internalized after 2 1/2 years there, have transformed her: her sense of humor is less biting and actually funnier; her behavior is finally age-appropriate to a 10-year-old rather than being a mix of immature social skills along with the "attitude" of a rebellious teen; and while she'll always be unique, she fits in better with others around her. Yay!

Recovery and becoming a "human being" were particularly difficult given the states of all our emotional health this past year. Getting over September 11th is something that has affected us all (I don't really buy into this whole "those who don't live in NY or D.C. got over it months ago"), but as September 11 2002 draws nearer, it's time for those of us who've gotten stuck in our grief to rejoin the living.

And so I've set two goals for September 12th. The first is to put behind me my daughter's illness, her time in therapy, her old school, and the way I view her. She's in regular kid school now; I vow to treat her as I would a regular 10-year-old. She's earned it. Yay! Secondly, I must end my personal mini-nervous breakdown that I believe started last year on August 29th, 13 days before the World Trade Center collapsed in Manhattan, and got worse when the world as we knew up turned upside down on 9/11.

The world can be a place of immense suffering; the supreme irony is that much of the suffering comes from people of different faiths who believe their faith is better than the faith of others, who believe those of other faiths must be destroyed to make a more perfect world. How many times will there be death and destruction in the name of religion and God?

"Our gift to God is to make use of God's gifts to us."

Let's make use of the gifts God gave us. That's my goal for the new year. Shona Tova... Happy New Year!

TTFN, Laurie Likes Books

My Favorite Bride

I just finished Christina Dodd's My Favorite Bride. AAR Reviewer Jane Jorgenson gave it a B+ last week, and her review made the book sound all the more inviting because of her remembrances of The Sound of Music, which was Dodd's inspiration for the b
I just finished Christina Dodd's My Favorite Bride. AAR Reviewer Jane Jorgenson gave it a B+ last week, and her review made the book sound all the more inviting because of her remembrances of The Sound of Music, which was Dodd's inspiration for the book.

I haven't actually read a book by Dodd in about 2 1/2 years, since Rules of Surrender, which I enjoyed. And, after the bad reviews we gave her Lost in Your Arms and In My Wildest Dreams, with the "scandal" associated with our reviews of these two books, I'd just about given up on her. In fact, in AAR's in-house style poll, my rating for her was 4J, for Always or Almost Always Like/Jumped the Shark.

How could I give an author a rating like that - isn't it illogical to say you always or almost always like her books but you think she's past her prime? I wonder...is it any more odd to give an author a rating of 4J than 0J, which means I've never read any books by an author but believe she's jumped the shark. That was my rating, after all, for Robin Schone.

But back to Dodd... I loved this book. It may turn out to be a DIK for me (I haven't quite decided). Unfortunately, I doubt I'm on speaking terms with Christina Dodd at this point because of those two very widely read negative reviews we posted for her in recent years. The controversy over our review of In My Wildest Dreams was so enormous that there's really no way to get past it, which is unfortunate. Jen's review was brilliant...and so is this new book. Damn!

TTFN, Laurie Likes Books


Comments



What It's Like For Me

There...it's done. After two days of sitting in the chair in my study, I finished putting together tomorrow's issue of At the Back Fence. Featuring four interviews and a topic I'm no expert on, this one took lots of tweaking. Much of the second day w
There...it's done. After two days of sitting in the chair in my study, I finished putting together tomorrow's issue of At the Back Fence. Featuring four interviews and a topic I'm no expert on, this one took lots of tweaking. Much of the second day was spent in re-writes, which reminded me of a talk I'd had with my daughter the week before.

She's required to do a lot of writing in her new school. She's a good writer, but new to the challenging requirements her school sets, and rewriting is something she doesn't think is necessary. Luckily enough, I always have a story to tell her, although I suspect she thinks I make them up...which I don't.

The first two years I worked for the City of Dallas, it was through a very difficult management training program specifically for people with master's degrees in public administration. The year I got into the program, three slots were filled from well over 100 applicants through a 5 hour interview/in-box "test"/essay process. My first rotation was with the Dallas Police Department. I worked for a captain in the Planning and Research Department. He was out of town when I finished a report for the Chief, and I turned my work in to the officer in charge that day - a female Sgt. She read my report and handed it back to me - full of red ink.

I was outraged, as only a young person with lots of educational arrogance could be. How dare this...this person, with only a college degree, say that my work, my writing, was unacceptable? After all, I was the one who could have written "sh_t" on a piece of paper and gotten an A! Needless to say, I mishandled the whole thing and am still embarrassed by my reaction when truly, her changes made my work better.

I learned a very important lesson that day, which is that editing is a very good thing, that a good piece of writing can only become a better piece of writing when honed over and over again by at least two sets of eyes. I don't know that my daughter has accepted this yet, but it's something everyone at AAR has, or they wouldn't last long.

Now, back to this new column, which wasn't really telling all of the story it needed to tell, which is why Blythe Barnhill, Andrea Pool, and Rachel Potter stepped in to help. While Rachel helped on some of the facts, Blythe and Andrea helped with last-minute segments, and I juggled paragraphs and re-wrote others to make room. It read differently, but it was better, much better.

It's always an exhaustive process, and I had thought it was getting more and more difficult lately, but then I thought back to the beginning. I started to write my column in March of 1996, 6 1/2 years ago. At that time, my daughter was four, and I can remember literally handing her off to my husband on a Friday night, saying: "I've got to write this weekend...see you two Sunday night." Then I would lock myself in my study, getting up from my desk only to eat and sleep. I'd emerge a couple of days later, a bit stinky, but satisfied.

In the beginning, when ATBF was Laurie's News & Views and there were no message boards, it was just me, my books, and email. The columns were shorter and they were different, often irreverant and tongue-in-cheek, and perhaps more fun. I still think there are moments of humor, but they are more serious now, and often more "important." I felt it very necessary, for example, to have the grouping of romance family tree columns written. And when Mary, Jen, and Rachel and I worked to put together the site-wide style poll and re-vamped If You Like... pages, we all believed we were creating something of significance.

Bringing Robin in as co-columnist, and then Anne, has been so wonderful. Collaborating and bouncing ideas off other people helps make the writing process less of a lonely one. It is, after all, rather isolating to live so often in your own head. And the way ideas come can be frustrating. The ideas for this new column, for instance, came in a variety of ways, and at different times, including 1 a.m. when I should have been asleep.

There's often a panic that sets in, usually right after a column goes online when I worry about what to write for the next column. This is another terrific reason for having collaborators. After I'd finished working with Mary, Jen, and Rachel, I told Anne and Robin I needed a breather and that they'd have to do the next column alone. Wouldn't you know...I'd have to stick my own two cents in anyway and wrote my own small segment?

I figure that the 145 columns already written probably amount to 2,000 pages of original material, and when I read on a message board or receive an email from someone new to AAR who has settled down to read the back issues, I'm always surprised because I don't think I could do that - there's just too much. I'm also surprised that there's still stuff to write about after 6 1/2 years and 2,000 pages. Or that reading a romance after having read so many hundreds of romances before can still make me laugh or cry.

Doing this column has always been a labor of love. It reminds me, though, of the drawing classes I took in college. I didn't enjoy the process, but I loved the final results. Drawing was difficult for me - I certainly had less talent than the art majors in the classes, but I did it anyway and created some nice charcoal drawings through two semester's time. Doing that with bad vision required total concentration and focus on my part. Now, I'm told I'm an intense person anyway , but this total effort wiped me out in a similar way I'm wiped out whenever I finish a column. I may grumble before and after, but the final result is always worth it.

TTFN, Laurie Likes Books


(Mostly) Anne Rice and (a Little) Calvin Trillin

While at the store yesterday, I noticed they've already begun decorating for Halloween, which for the last several years has meant a new book by Anne Rice is just around the corner. Indeed, according to Amazon, on October 29th, Blackwood Farm (part o
While at the store yesterday, I noticed they've already begun decorating for Halloween, which for the last several years has meant a new book by Anne Rice is just around the corner. Indeed, according to Amazon, on October 29th, Blackwood Farm (part of her Vampire Chronicles series) will be released.

I first read Anne Rice in the late-80's, and have read every book she's written. Indeed, her backlist sits with the entire backlist of another author - Calvin Trillin - on a very large bookshelf in my den. Permit me to go off on a tangent about Trillin while he's on my mind. His Tepper Isn't Going Out, a witty take on parking, New York City and an out-of-control mayor, had the unfortunate distinction of being a pre-September 11 satire in a post-September 11th world. If you missed it and have a warped sense of humor, consider Tepper or any of Trillin's other funny books. This was his first novel; his previous humor books are collections of his essays. He's also a dedicated foodie and has written a book or two about eating, as well as two straight non-fiction books - one about his father, and the other about the life and suicide of a man with whom he attended Yale. In another entry I'll tackle Trillin again, but I'd like to get back to Anne Rice now.

I had never read a horror novel before reading Interview with the Vampire; after reading it I was hooked. The Queen of the Damned had just been released, which meant I read Interview, The Vampire Lestat, and Queen in a row, very quickly. I loved the first, thoroughly enjoyed the second, and found the third to be my favorite of the Vampire Chronicles series. My husband, needless to say, was surprised at this gorey turn of events, even more so when I relayed a favorite scene from Queen to him wherein Pandora quite literally picks up her victims, snaps their bones like twigs, and devours them from the inside out.

Of all Rice's books, there's only been one I've never read, even though I tried to get through it not once, but twice. That would be The Feast of All Saints, which Rice describes as: "an historical novel (that) traces the journey of the community of free people of color who were feared and ignored by whites in 1840's New Orleans." I can't say why this book never engaged me; it's not because I don't like her historical fiction because I adored Cry to Heaven, an historical novel about the Castrati in 18th century Italy.

I buy Rice's books in hardcover, even though it's been several years now since I've really enjoyed on of her books. I'm going to list her books and the grades I gave them. I did something similar several years ago at the bottom of my AAR Review of Pandora, but she's had several books released since then. I'll also list her B&D/S&M erotica titles, but without a grade; I'm not sure I know how to assess them because they are so totally bizarre. But, I have read them, even though finding them in Dallas in the late 1980's was no easy feat, particularly as they were published under a pen name.

Interview with the Vampire1976AVampire Chronicles #1
The Vampire Lestat1985B+Vampire Chronicles #2
Queen of the Damned1988A+Vampire Chronicles #3
Tale of the Body Thief1992FVampire Chronicles #4
Memnoch the Devil1995BVampire Chronicles #5
The Vampire Armand1998DVampire Chronicles #6
Blood and Gold2001DVampire Chronicles #7
The Witching Hour1990AMayfair Witches #1
Lasher1993BMayfair Witches #2
Taltos1994AMayfair Witches #3
Pandora1998B+New Tales of the Vampires #1
Vittorio1999DNew Tales #2
Merrick2000CNew Tales #3
(related to Mayfair too)
The Claiming of Sleeping Beauty1983Beauty #1
Beauty's Punishment1984Beauty #2
Beauty's Release1985Beauty #3
The Feast of All Saints1979(Never finished)
Cry to Heaven1982B
Exit to Eden1985
Belinda1986(erotica)
The Mummy1989C
Violin1997F
Servant of the Bones1996B-

Some final random thoughts on Rice's books. I don't remember which of the first two Mayfair Witch books Catherine Coulter's The Hellion Bride reminds me of, but a scene in Coulter's book where the hero believes he's been drugged and had sex with the heroine in Jamaica is reminiscent of similar scene involving a Dutch (?) member of the Talamasca. If anyone knows the scene I'm talking about, please email me!

I'd like to see her get back to her Mayfair Witches series; Merrick didn't cut it for me. There's been far too much emphasis on Aaron and David and not enough on what made the first and third book in this series so interesting. I know a great many people hated the second in this series (Lasher), but I thought it was good in a gross way, if that makes sense.

Many readers, particularly those who love romance novels, seem to love The Mummy. Her writing has always had a lush romanticism, even at its most gruesome, but I'm afraid I could never get over an ancient Egyptian coming back to life as a blue-eyed hottie.

While I personally enjoyed the religious aspect of Memnoch, Rice didn't know when to stop and it seemed she went on an extended religious bender that was at its worst in Violin and Armand. What's worse is that her writing has become very self-indulgent; Violin, in fact, was an exercise in self-indulgence. I had thought that since Servant of the Bones and Pandora were pretty good, she'd gotten over it, but her four most recent books (Armand, Vittorio the Vampire, Merrick, and Blood and Gold) were disappointing. Marius' tale, in Blood and Gold (2001), was so much less than it should have been that I'm not even sure why I'll be buying Blackwood Farm when it's released...but I will.

TTFN, Laurie Likes Books

My YA Fiction Glom

Even though all of us are counseled to do "everything in moderation," it's never been my style. Doing things to an extreme is an hereditary trait in my family. So when I decided to read some Young Adult Fiction (which is a featured topic in
Even though all of us are counseled to do "everything in moderation," it's never been my style. Doing things to an extreme is an hereditary trait in my family. So when I decided to read some Young Adult Fiction (which is a featured topic in our current At the Back Fence column), I didn't read one title. No, I've now read five YA books since Sunday afternoon. All have been good.

First was Truth or Dairy, a 2000 release written by Catherine Clark (there's a sequel, released in 2001, entitled Wurst Case Scenario, but I've not read it). I picked up this book on Rachel Potter's recommendation, among others, while at the library with my daughter over the weekend. We'd gone so she could check out the two sequels to Louise Rennison's Angus, Thongs, and Full-Frontal Snogging.

Written in diary format like Snogging, Truth or Dairy, as you can discern from the title, is irreverent. Courtney Von Dragen Smith is about to be a high-school senior who decides to keep a diary after her college-bound boyfriend breaks up with her. Her plan is to go through her senior year boy-free. She's certainly got enough to keep her busy, what with her job at the Truth or Dairy café, her friends, and her epileptic dog who keeps running away from home. What can she do about her ex-boyfriend's friends who keep hanging around, particularly Grant ("like-the-lake") Superior, who always seems to be in her face and is much cuter and nicer than he has any right to be? And how does this too-cool-for-school teen end up running for student body vice-president?

Courtney is very believable - she's incredibly self-absorbed, lacks a sense of humor about herself while being fully able to accept the ironies around her, and behaves with a credible amount of disgust and dismay when she discovers a relationship between two people very close to her. Even though she's sworn off boys, her dealings with Tom, the tomcatting student body president who has "hooked up" with every girl but her, are interesting. She doesn't want him, but why hasn't he hit on her? At times Courtney seems world-weary while at others she behaves childishly - in other words, she behaves like most teens do. What works best is that she sounds like a teenager, and has feelings teens really have.

In a diary entry Courtney alludes to previous sexual experience with the ex-boyfriend, so my recommendation is that actual teens as opposed to pre-teens read this one. On the other hand, kissing is about as hot and heavy as the action is in Truth or Dairy. There's a lot to recommend about this book; Courtney's younger brother turns out to be less bratty and more human than younger siblings tend to be portrayed in a lot of YA fiction. Courtney's mother, on the other hand, is a bit too wacky for my tastes, although the sub-plot involving her ends in a nice way. The sub-plot involving her grandparents allows the author to explore the grossness of "old people" having sex, and the book ends on an up beat. My grade for this one is a B-; it would have been higher had there been less focus on her job.

Next up were the three Angus books, the first of which my daughter has read so often the front and back covers have already disintegrated. She checked out books two and three while I checked out the first. I read all three in a 24-hour period. I can see why my daughter loved Angus, Thongs, and Full-Frontal Snogging and I'm sure she'll love On the Bright Side, I'm Now the Girlfriend of a Sex God and Knocked Out by My Nunga-Nungas just as much. I kind of overdosed on them and wish the third had more of an ending than it actually did (I understand it ends as it does because there's a fourth book, only available at this time in the UK), but am glad I read them regardless.

Georgia Nicolson is 14-years-old and lives in suburban England. At the start of the series, her penny-pinching father is unemployed and yells at her for being on the phone. As do all of the characters in this series, he takes things to an extreme, with hilarious results. Her mother, who works in management, doesn't seem to be much of a mother as far as Georgia is concerned; she doesn't cook, and Georgia spends more time taking care of her three-year-old sister than her mom does. Many of the series' funniest moments are derived from Georgia's sister, who refuses to be potty-trained and leaves evidence of her poo-filled diapers in Georgia's room; other items end up in Georgia's bed because her little sister sleeps with her so often. And when she's awake, she often says things extremely embarrassing to her older sister.

Georgia owns an enormous cat named Angus (he's from Scotland) who is half-cat, half-beast, and who terrorizes the people and pets of their neighborhood. Although Georgia is not the prettiest of her friends (she obsesses over the enormity of her nose), she's somewhat of a boy magnet throughout the series; the boy she pays to teach her to kiss ends up dating her, the boy she dates to make her true love (aka the Sex God) jealous falls in love with her, and even though he's too old for her, the Sex God can't stay away. Whether that's because of the growth of her nunga-nungas or her personality is hard to say...maybe it's because she's so good at snogging?

I was intrigued when some of my AAR colleagues referred to Angus as "better than Bridget Jones's Diary." They were right. It's hard to describe what works best about this series of books without giving away moments I'd prefer you to discover and laugh about yourself, but there are many laugh-out-loud moments. The definitions of British words have a distinctly "Georgiaosity" to them, the names and descriptions she and her friends give to people they don't like, and the list she and her gal pals create (and eventually revise) for kissing, petting, and "the full monty" are all priceless. And one line from the third book is so good I have to share it with you here. Although Georgia would rather be home and near the Sex God, she's forced to take a vacation to Scotland with her family. They're in a remote area with absolutely nothing to do (the American equivalent of what my dad liked to call "East Bumf_ck," and Georgia begins riffing on the locals' speech patterns. When she sees the hideousity of their cabin, she says: "You can tak our lives, but you cannae tak our freedom!"

Georgia obsesses about snogging and other intimate things and one of her friends smokes. I wondered what my daughter thought about all the sexual obsessing, which is often funny, particularly when it has to do with her nunga-nungas. What my daughter thought was funny, though, was how ridiculously Georgia's parents are shown to be, and how funny are the antics of her little sister and cat. Of the three books, my favorite was the first, followed by the third, and then the second. Had the third had a conclusive ending, it would have been my favorite. All three are certainly B level reads, extremely creative and funny. As a parent, I cringed at Georgia's lasse faire attitude toward school, but when I lightened up I laughed at all the things she did that got her into trouble.

The final of the five YA books I read was written by Caroline Cooney, author of the three Janie books I mentioned in a previous blogging. Tune in Anytime, originally published in 1999, tells the story of Sophie Olivette's soap opera-ish 16th year. Shortly after Sophie's sister goes to college, she brings home her somewhat older roommate for a visit. Her father falls immediately in love with the young woman and determines to end his marriage to Sophie's mother and to sell their massive house out from under them (and move Sophy and her mom into a small apartment) so that he and the young woman can marry and travel. Her mother, a free spirit who for some reason refuses to accept the reality of the situation, will not fight for her community property rights, allows the young woman to live in her home, and spends all her time planning for a winter solstice ceremony at the "henge" belonging to the Larkman's (owners of the local gravel pit).

Sophy's father is presented as wholly unlikable throughout the book. Even though Sophy's mother comes off as a nut, his selfish attitude made me want to punch his lights out... really. Sophy's selfish sister, Marley, devises her own way to live through the dissolution of her family, leaving Sophy on her own. If not for the Larkman family's essentially "adopting" Sophy and her mother, and for the growing relationship between Ted Larkman and Sophy, this book would have been too depressing to read. Instead it was quirky, depressing, and sweet - all at the same time. And the ending is wonderful. While the other four YA books I've talked about in this blogging are irreverent, Tune in Anytime is serious stuff, but there are some lighter moments that balance the tone of the book.

I believe many women will relate to Sophy on some level. It brought back to me, for instance, the superiority I once felt over my mother for being "just a housewife." While this isn't the issue with Sophy's mom, Sophy's feelings about her mother's simply giving up are reminiscent of how I used to feel about having a mom who played tennis and shopped rather than doing charity or "important" work. And children of divorce will no doubt feel a kinship with Sophy. There's a strong symmetry at work in this book, and Cooney is able to turn black and white into shades of gray in an accessible way. I plan to go back to the library and check out some more of her books. I understand she's written a series of time-travel teen romances...wonder if they're any good?

TTFN, Laurie Likes Books

Anne Rice Question Answered!

Nancy Carrigan has answered the question I posed in my Anne Rice blogging about which scene in the first Mayfair Witch book is similar to a scene in Catherine Coulter's Hellion Bride. I've asked various people for years if they knew the scene I remem
Nancy Carrigan has answered the question I posed in my Anne Rice blogging about which scene in the first Mayfair Witch book is similar to a scene in Catherine Coulter's Hellion Bride. I've asked various people for years if they knew the scene I remembered, and she's the first to be on my wavelength. I'm extremely thankful she answered my question!

Nancy's answer only piqued my interest, though, so I did a bit of searching on Google and found a page that tells the whole story of that scene. Here's the link: http://witches.implicit.net/old/petyr.html. The site in general may be of interest to fans of this series. The main link is http://witches.implicit.net/mayfairs.html.

TTFN, Laurie Likes Books

Just Don't Get It (Am Shaking My Head)

It's an odd feeling to realize that people I've never met in person actually hate me. It's a difficult thing to describe, but I tried to do just that last night when my husband and I went out for dinner. Let me explain. There are at least two authors out there who actively despise AAR. What do I mean by "actively?" They actually make public posts that take a kernal of a half-truth and spin it into a rumor that looks like a fact, only it's based upon a lie. And when their fans read these rumors, they believe them, then run with them.

The most recent lie-based rumor that came back to me is based on a statement I've made a couple of times in the past - namely that a publisher, based on an author request, threatened to stop sending books to AAR for review. In both instances when this has occurred, the publisher did not act on the author's request; as a result we continue to receive books for review from all the major publishers. (When I've made these public/semi-public statements, I've made sure I've followed them up with equally public/semi-public statements that the publishers did not act.) And yet, the latest rumor, which had its start in a post by a certain author (I've seen it - spies for AAR are everywhere ), is that because our reviews are so horrible, publishers won't send us books for review, and I must provide them to our review staff myself.

We average 60+ reviews a month. After doing the math, I determined that if this rumor were true, I'd be spending something like $360/month to buy books solely for the purpose of having our review staff trash them. Am I really taking more than $4,000 a year off the money tree in my back yard simply because I want to diss romance authors? Does this compute, Will Robinson?

Perhaps I'm being too harsh on the author; a sentence or so later in her post, she said that she (only) knows of X number of publishers who have written AAR off their distribution lists. Gee, last time I looked, the only publisher that doesn't send us their books has never sent us their books, and that would be Harlequin/Silhouette, which produces roughly 75 books a month and, to my knowledge, only sends copies for review purposes to Romantic Times. And, Harlequinn's single title imprint - MIRA - does send us copies for review.

What's weird about this entire episode is that the author involved in this latest go-round has received several good to excellent reviews from AAR. Whether or not her fans actually have been to AAR to see our horrendously mean-spirited efforts remains unknown. At least one of them does not appear to have ever visited our site because her contribution to the thread is that we've "finally" given the author a grade she deserves (a B) in regards to our most recent review of this author's work. Hmmm... I guess she never saw the other good reviews, namely the two A's and five B's.

There's an overriding irony about this particular author, but if included it, I'd be naming names, something I've vowed never to do in this blog. I was honest up front in saying I reserved the right to whine here, but will never to divulge an author's name when I'm picking on her (which is also why I've removed other identifying facts from this blogging). Still, if you figure it out and want to email me about it, I'd love to hear from you.

TTFN, Laurie Likes Books


Lottery Tickets, Neuroses, & My Tombstone

I have authority issues, which means that if I'm driving within a street's distance of a police car, my heart starts to pound. I've probably never removed a tag off a mattress or pillow and am proud of the fact that I never had detention in high sch
I have authority issues, which means that if I'm driving within a street's distance of a police car, my heart starts to pound. I've probably never removed a tag off a mattress or pillow and am proud of the fact that I never had detention in high school.

Part of this authority thing is that I'm neurotic about "doing the right thing." I've been known to say "excuse me" after burping...even when I'm alone in the room. Sometimes this "doing right" goes too far and I become self-righteous - why else would I gleefully fantasize about having the following epitaph on my tombstone: "She never bought a lottery ticket"? So when I read "ADVANCE COPY - NOT FOR SALE" on a book I've been sent to review, I don't trade or resell the book even if I never care to read it again.

When I first started to review, ARC's (advance review copies) were far more limited than they are today. ARC's were available to reviewers and those responsible for ordering books in bookstores/libraries. That has apparently changed in the last year or so, which unfortunately mucks up one part of my job.

Let me explain. AAR has five message boards, and upon occasion, there will be a post on our Reviews Message Board disagreeing with a negative review we've posted even though the book hasn't been released to the general public and won't be released to the general public for a month or two. When this has occurred in the past, it's been a rather reliable red flag that the poster is not simply "Jane Doe," but is somehow connected to the author - either a fellow author, a family member, or a "very special" fan. How else, I've been able to surmise, would that person have been able to read the book when it's not even on sale?

But there's been a change - two actually - and both make my job more difficult in terms of monitoring our message boards for fraudulent content. The first is that many people do trade or sell their ARC's even though it's the wrong thing to do. And, publishers have realized what movie makers discovered after the release of The Blair Witch Project; when buzz bubbles up organically, it can do more for a product than thousands spent in an advertising campaign. What better way to build buzz than to send out advance copies to "regular" readers, who can then spread the word?

Which means that it's more difficult now to judge questionable postings made on books a month or two prior to their release dates. This cuts two ways, though - what to do when a publisher sends out advance copies for a book and a reader doesn't like it? And that's what happened today.

There's a highly anticipated romantic suspense novel being released at the end of November. Last night a reader who'd read an advance copy posted about the book...but the posting was very unflattering. What to do?

The purpose of our message boards is to provide a place for people to talk about books in an informed manner. How informed can a discussion be if a book isn't going to be available for the vast majority of readers for two more months? So I made the decision to remove the thread, and then was reminded - not only by AAR staff but by my own words in another thread earlier this week - that the only reason for deleting a thread is if it violates our posting policies. Unless a post is abusive, libelous, obscene, or indecent, contains advertising, or flames, it cannot and should not be deleted.

And so, even though I believe it does no good to start a thread on a book that most people will not be able to read for two months, I reposted the original message. Was I right or wrong when I first deleted it? Was I right or wrong when I reposted it? I honestly don't know, and my ingrained "right thing" meter didn't help at all. Damn...next thing you know, I'll be buying a lottery ticket.

TTFN, Laurie Likes Books


Comments



BBCA Fun

I've recently become addicted to the BBCA, which I'd only watched previously for Monarch of the Glen. But now there's a whole world of BBCA programming I enjoy, particularly Changing Rooms and So Graham Norton. Imagine my surpise today when I started
I've recently become addicted to the BBCA, which I'd only watched previously for Monarch of the Glen. But now there's a whole world of BBCA programming I enjoy, particularly Changing Rooms and So Graham Norton. Imagine my surpise today when I started surfing around for tidbits on Graham Norton and Laurence Llewelyn-Bowen (definitely the most intriguing designer on Changing Rooms), and discovered that the latter goes by the acronym LLB!

Changing Rooms is so much better than the American version (Trading Spaces) both in terms of concept and execution. The neighbors actually contribute much more in terms of ideas in the British show, and I like many of the final results - with the exception of most of the rooms designed by Oliver Heath, whom I believe is one granola bar short. Yesterday I watched two pretty terrific rooms that neither couple liked, which was a surprise. In general at least one couple likes the results. While I originally didn't care for LLB's designs, the more I watch, the more I like, chintz suit aside. I believe the best all-round designer has been Graham Wynne; the designer I've often disagreed with - aside from Oliver Heath - is Anna Ryder Richardson. I generally approve of the other designers. If you haven't seen this show, you should watch - it's better than Christopher Lowell and Lynette Jennings.

As for So Graham Norton, this show would never appear on a U.S. broadcast network because it is absolutely raunchy and bizarre. But the host is so tongue-in-cheek, mischevious, and out-and-out gay about it all that I end up screaming in laughter every time I tune in. Even my husband laughs out loud, particularly during the hysterical audience participation segments that start each show. You would not believe what he gets people to confess to about themselves; just last night a young man admitted he used to play a game as a teen wherein he'd...ah, take matters into his own hands, and call for his mother to come up to his room. He'd "win" if he finished transacting business before she came in. The audience and the host broke up, and the man's mother, sitting right next to him in the audience, cracked up as well. She apparently never knew this was going on quite literally under her nose.

What makes the show work is that there's a surprising lack of self-consciousness in the audience, the host...even the guests, whom Norton includes in some hilarious games and discussions. The guests vary from stars of 1980's American TV shows to popular English entertainers, and it's all in good, clean...make that good (only), fun.

Right before writing this blogging, I went to the BBCA's site for this show and played all the video clips; if you have RealPlayer, you can too. I haven't had this much fun since reading the entires in this year's Purple Prose Parody Contest.

TTFN, Laurie Likes Books


Comments


'Laurie Gold' left this comment on 18 Jul 03
David - Wow! You commented about two minutes after I transferred the month of August from blogspot to blog-city. How in the heck did you find it?

TTFN, LLB

'David S' left this comment on 17 Jul 03
You know what is funny about this is that in Britain So Graham Norton isn't even a BBC show but Channel 4.
I guess the BBC is probably better than most Public Service Broadcasters seeing as it is totally loaded, thanks to the good old British license fee.

Visit me @ http://glasgowdave.blog-city.com


TV and Me

After my husband and I watched the season-opener for E.R., I realized how little "regular" television we watch and wonder how different we are from other families with cable or satellite. As he waited for the familiar "Tell me again...
After my husband and I watched the season-opener for E.R., I realized how little "regular" television we watch and wonder how different we are from other families with cable or satellite. As he waited for the familiar "Tell me again...why do we watch this show?" I thought to myself that we spend a whole lot of time watching things other than broadcast television. His "default" channel would be the Food Network, while I have a whole list of channels I turn to, including:

That said, there are very few "sit down and watch" shows for me. I'm generally reading, writing, or otherwise puttering while the T.V.'s on. Given the ability of the modern American to "multi-task," I'm sure I'm not unique in being otherwise occupied while watching television.

Other than Everybody Loves Raymond, The King of Queens, Bernie Mac, The West Wing, Law and Order, Survivor (I think this will be the last season I watch), and E.R. (because my husband loves it), we don't regularly watch any prime time broadcast television anymore. To be sure, we enjoy The Simpsons, King of the Hill (I never watched until my daughter discovered these last two), Nightline, The David Letterman Show (the latter two rapidly being replaced by So Graham Norton on the BBCA), Conan O'Brien, and Saturday Night Live, but those are before or after prime time. (Those of you who grew up w/SNL, as I did, might want to look into Tom Shale's Live From New York; I ordered my copy today).

Just the other day my daughter wandered into our bedroom and joined me to watch Anne of Green Gables on some obscure satellite channel. While we watched she told me which scenes actually came from later books and which scenes weren't true to the books at all. Later that night, my husband and I watched HBO's Curb Your Enthusiasm, featuring perhaps the only human being more neurotic than Garry Shandling as Larry Sanders (I'm thrilled that his first season is now out on DVD - and it's true that this show never jumped the shark). When I recently read that the dialogue on Curb Your Enthusiasm is improvised, the show went up yet another notch in my estimation. And before going to bed, I tuned in to a late-night showing of the the Food Network's Good Eats. BTW, I am not our family's cook, but I still love watching cooking shows - while I can talk a good game about technique, it's lucky that my husband loves to cook or we'd go hungry in our house.

While most of our TV watching is of the "flipping" variety, there are certain shows we try never to miss, including The Sopranos, Sex and the City, Queer as Folk (another show I'm not exactly sure why we watch, but we do), The Chris Isaak Show, and Arli$$, the latter because my husband is the only human being on planet Earth to actually love it, something I've seen confirmed in any number of magazine articles.

Now back to where I started - the season opener for E.R.. I could have gone my whole life without seeing Dr. Romano's arm being sliced off by the blade of a helicopter. Really and truly. I find that show so incredibly depressing week after week that I only force myself to watch it because my husband watches it religiously. And so, at some point each Thursday between 9 and 10 p.m., I turn to my husband and ask, "Tell me again...why do we watch this show?"

TTFN, Laurie Likes Books


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